21 September 2013 – 16 March 2014, Media Space, Science Museum.
Admission £8, Concessions £5 (including donation).
22 March 2014 – 29 June 2014, National Media Museum, Bradford
Principal Founding Sponsor: Virgin Media
Principal Founding Donor: Michael and Jane Wilson,
Principal Founding Donor: Dana and Albert R Broccoli Foundation
The first ever major London exhibition of work by British Photographer, Tony Ray-Jones (1941-1972) will open at Media Space on 21 September 2013. The exhibition will feature over 100 works drawn from the Tony Ray-Jones archive at the National Media Museum alongside 50 rarely seen early black and white photographs, The Non-Conformists, by Martin Parr (1952).
Between 1966 and 1969 Tony Ray-Jones created a body of photographic work documenting English customs and identity. Humorous yet melancholy, these photographs were a departure from anything else being produced at the time. They quickly attracted the attention of the Institute of Contemporary Arts (ICA), London where they were exhibited in 1969. Tragically, in 1972, Ray-Jones died from Leukaemia aged just 30. However, his short but prolific career had a lasting influence on the development of British photography from the 1970s through to the present.
In 1970, Martin Parr, a photography student at Manchester Polytechnic, had been introduced to Ray-Jones. Inspired by him, Parr produced The Non-Conformists, shot in black and white in Hebden Bridge and the surrounding Calder Valley. This project started within two years of Ray-Jones death and demonstrates his legacy and influence.
The exhibition will draw from the Tony Ray-Jones archive, held by the National Media Museum. Around 50 vintage prints will be on display alongside an equal number of photographs which have never previously been printed. Martin Parr has been invited to select these new works from the 2700 contact sheets and negatives in the archive. Shown alongside these are Parr’s early black and white work, unfamiliar to many, which has only ever previously been exhibited in Hebden Bridge itself and at Camerawork Gallery, London in 1981.
Tony Ray-Jones was born in Somerset in 1941. He studied graphic design at the London School of Printing before leaving the UK in 1961 to study on a scholarship at Yale University in Connecticut, US. He followed this with a year long stay in New York during which he attended classes by the influential art director Alexey Brodovitch, and became friends with photographers Joel Meyerowitz and Garry Winogrand. In 1966 he returned to find a Britain still divided by class and tradition. A Day Off- An English Journal, a collection of photographs he took between 1967-1970 was published posthumously in 1974 and in 2004 the National Media Museum held a major exhibition, A Gentle Madness: The Photographs of Tony Ray-Jones.
Martin Parr was born in Epsom, Surry in 1952. He graduated from Manchester Polytechnic in 1974 and moved to Hebden Bridge in West Yorkshire, where he established the ‘Albert Street Workshop’, a hub for artistic activity in the town. Fascinated by the variety of non-conformist chapels and the communities he encountered in the town he produced The Non-Conformists. In 1984 Parr began to work in colour and his breakthrough publication The Last Resort was published in 1986. A Magnum photographer, Parr is now an internationally renowned photographer, filmmaker, collector and curator, best-known for his highly saturated colour photographs critiquing modern life.
Only in England: Photographs by Tony Ray-Jones and Martin Parr will run at Media Space, Science Museum from 21 September 2013 – 16 March 2014. The exhibition will then be on display at the National Media Museum from 22 March – 29 June 2014. The exhibition is curated by Greg Hobson, curator of Photographs at the National Media Museum, and Martin Parr has been invited to select works from the Tony Ray-Jones archives.
Greg Hobson, curator of Photographs at the National Media Museum says, ‘The combination of Martin Parr and Tony Ray-Jones’s work will allow the viewer to trace an important trajectory through the history of British photography, and present new ways of thinking about photographic histories through creative use of our collections.’
Martin Parr says, ‘Tony Ray-Jones’ pictures were about England. They had that contrast, that seedy eccentricity, but they showed it in a very subtle way. They have an ambiguity, a visual anarchy. They showed me what was possible.’
Media Space is a collaboration between the Science Museum (London) and the National Media Museum (Bradford). Media Space will showcase the National Photography Collection of the National Media Museum through a series of exhibitions. Alongside this, photographers, artists and the creative industries will respond to the wider collections of the Science Museum Group to explore visual media, technology and science.
The Principal Founding Major Donors and drive behind Media Space are Michael and Jane Wilson; Founder Donor is the Dana and Albert R Broccoli Foundation and the Principal Founding Sponsor of Media Space is Virgin Media. Media Space has also received generous support in the form of donations or artworks from a large number of individuals, companies and artists.
For further press information and images please contact Eleanor Macnair, Press Office, 020 7 942 4357, Eleanor.Macnair@sciencemuseum.org.uk
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Notes to Editors
Notes to Editors
The Tony Ray-Jones archive comprises of approximately 700 photographic prints, 1700 negative sheets, 2700 contact sheets, 600 boxes of Ektachrome/Kodachrome transparencies. It also includes ephemera such as notebooks, diary pages, and a maquette of ‘England by the Sea’ made by Tony Ray-Jones.
The Science Museum’s collections form an enduring record of scientific, technological and medical change from the past. Aiming to be the best place in the world for people to enjoy science, the Science Museum makes sense of the science that shapes our lives, sparking curiosity, releasing creativity and changing the future by engaging people of all generations and backgrounds in science, engineering, medicine, technology, design and enterprise. The Science Museum Art Collection contains over 8000 works, including 290 oil paintings, relating to the history of science, technology and medicine from the antique to the contemporary. Now in its 16th year, the Science Museum’s Contemporary Arts Programme commissions artists to respond to the past, present and futures of Science and technology through interventions, exhibitions, research and events. Past artists have included Tacita Dean, Dryden Goodwin, Cornelia Parker, Conrad Shawcross and David Shrigley and media art pioneers such as David Rokeby and Mark Hansen & Ben Rubin. www.sciencemuseum.org.uk/smap
The National Media Museum in Bradford, West Yorkshire, opened as the National Museum of Photography, Film & Television in Bradford in 1983 with the remit to explore the art and science behind images and image-making. With the aim to be the best museum in the world for inspiring people to learn about, engage with and create media, it draws from more than 3.5 million objects in its National Photography, Television, Cinematography and New Media Collections to create special exhibitions, interactive galleries and activities for families and adults. It also organises a variety of film events every year including Bradford International Film Festival and Bradford Animation Festival, and is home to Europe’s first IMAX cinema screen. Comprising of approximately 3.2 million images, the National Photography Collection includes work by Julia Margaret Cameron, Alfred Stieglitz, Edward Steichen, Edward Weston, Paul Strand, Dorothea Lang, Ansel Adams, Henri Cartier-Bresson, Larry Burrows, Martin Parr, Paul Graham. Nick Knight and Luc Delahaye amongst others.